My work varies in medium - drawing, painting, objects, video and installation - but is consistent in it's interest: an exploration of the fluid realm that is the unconscious.
To this end I use texture and found objects as means of attempting to bypass rational thought and immerse myself in (or be immersed by) a space that is elusive and intangible and yet as pertinent as the visible.
Play, chance and accident have a crucial role in this process, as does automatism. The thrill of the unpredictable is the matrix of this journey. There is an element of randomness in the nature of the execution of each medium and technique that allows an intuitive process to lead the way.
The narratives that surface and evolve form part of an unfolding personal mythology.
The work is informed by formative years in South Africa, African and Greek mythology and readings in prehistory.
DREAMING THE FOUND
Exhibition at Farleys Gallery, East Sussex BN8 6HW
July 15 - September 05 2021
Both 2D, 3D and video work included in this exhibition. Dreaming the Found presents a personal narrative that is mythical in content, sometimes playful and often revealing a darker sub-text.
Farleys House & Gallery - was the home of Lee Miller and Roland Penrose
setting up the exhibition
picnic PV and exhibition at Farleys
ONLINE INTERNATIONAL SURREALIST EXHIBITION OF COLLAGE 2021
organised by The Recordists (S Higgins and W H Davison)
exhibition CERTAINTIES - NOTHING IS AS ALWAYS and book publication JUST A MOMENT
Curated by CLRW ( Cornelia Leunig & Rainer Wichering ) www.clrw.de.
Konnektor - Forum für Künst, Kötnerholzweg 11 and 13, Hannover
April 26 - extended to May 23
Translation article Stadtkind May 2021
After Cornelia Leunig and Rainer Wichering, who ran Galerie 13 from 1991 to 2004, were abroad for a while, they are now back in Hanover with new projects. It starts with an exhibition at Konnektor with 33 international artists: “Certainties - Nothing is Like Always” opens a dialogue between the art of the 90s and contemporary works. One focus is on the works of artists from the Pacific region, who will be given even more space a little later in the year in the second exhibition "Ocean Memories" in the Kunsthalle Faust. The show “Certainties” was opened in Konnektor - Forum für Künste e. V. [konnektor – forum for arts] in April and can be visited until May 16. On May 2 at 6:18 pm and on May 7 at 7:19 pm, “Blickwechsel” [Change of view] will take place, and on May 15 at 4:16 pm in the courtyard of the agency house endboss at Kötnerholzweg 13, the accompanying publication “Just A Moment!” will be launched. The exhibition is accompanied by a video installation in Día - Raum für Automedialität [space for auto mediality] at Kötnerholzweg 13
WORK DURING THE TIME OF COVID 2020
When I knew that my exhibition at Farleys Gallery was going to be postponed, and that a pandemic was about to change our lives, I thought I'd make a 3D anti-Covid fetish piece based on the magnificent mummified Nile crocodile at the British Museum. As Museums were closed I had to rely on the internet for any research. At 12 feet it's the BM's largest mummy. A fabulous beast, it's covered in wax and resin that over time has turned black. And most extraordinary, it has 30 mummified hatchlings on it's back.
My croc was planned as something dark in colour, magical, mysterious and mythological. What emerged as the strange COVID times permeated every social aspect of our lives, was a crazy carnival creature that could be worn in a very active social celebratory dance or procession.
Work then returned to the area of ancient myth and prehistory that's a central interest of my practice.
Medium: fluid acrylics on canvas.
Portal II & III as well as Archeology of the Unconscious 1-6 includes an experimental combination of acrylic binder and PVA.
In Portal II & III, it lead to images of a cave-like space with undecipherable signs and symbols on the walls.
In the series Archeology of the Unconscious I created a texture reminiscent of fossils or the bones of mythological beasts embedded in the land. A reflection of the inner cartography of a longed for land mass in a state ancient innocence.
The Women's Art Library (WAL) App How to Make An Archive Travel? led by Dr Ana-Maria Herman is up and running.
It features seven women artists and artworks from the Women’s Art Library located in the Special Collections and Archives of Goldsmiths Library, University of London.
A special ‘participate’ feature in the App allows you to help bring more attention to the work of women artists (within and beyond the archive), as well as the Women’s Art Library itself, by making your own ‘WAL art slide’ which can be posted on various social media sites (links on the App).
Funding: Women’s Art Library, Goldsmiths’ Research Development Funds (CIG) and Goldsmiths’ Public Engagement Grants.
WAL App: https://appsto.re/gb/Fqn7gb.i
This App requires iOS 9.0 or later, and is compatible with iPhone (5s or later), iPad and iPod touch
For more information: howtomakeanarchivetravel.wordpress.com
Oil on Board 90 X 58cm 1990
Mixed Media 2012
Australian paper bark and fluid acrylics on raw canvas 130 x 90cm 2016
Exhibition DETOUR: CYCLISTS DISMOUNT
Venue: Eugenio Granell Museum-Foundation, Santiago de Compostella, Spain.
6 April - 28 June 2016
Photographs of exhibition and Private View: Lorena Rodriguez, Granell Foundation
diluted oil paint, charcoal and sometimes collage on paper. 2007
charcoal and collage on paper 2014, 2016
2008 Dye transfer, pencil and collage on paper
2015 mud, paint and collage on paper
and Rock 'n Roll 2000 frottage and collage on paper
1998 Observational drawings of a spiny dog fish used as a springboard for a narrative that unfolded in pencil and collage.
View to darkened Gallery 4 where video Bag Angel can be viewed
video Shards of Memory
gallery 4 without flash photography